When I was in high school, I was a big fan of this history channel on YouTube called CrashCourse hosted by John Green who is known more famously for writing the commercially successful book The Fault in Our Stars. John Green had a running joke in the show that the Mongols were the great exception of history, and anytime Mr. Green would speak generally about historical themes through the ages, he would be frequently forced to add the disclaimer: “...unless you’re the Mongols.”
My relationship with rap music is a bit of a complicated one. I
find the vast majority of rap to be most enjoyable as background music to be
bumped while doing something else that requires the lion’s share of your focus,
like lifting weights or manual labor. When it comes to the gym, rap is pretty
much the supreme clamor to be thumping in your headphones, but when it comes to
cerebrally engaging music that suits active listening, rap just doesn’t work
for me.
...unless you’re Young Thug.
Young Thug is a rapper from Atlanta that started his career in
2010 as an uninteresting Lil Wayne clone, but gradually developed his own sound
and by around 2015 he became an exceedingly consistent and inventive artist.
His work can best be described as quirky; using unique and strange flows with
his barely intelligible, and often nasally, melodic voice.
One of his biggest creative risks is also the aspect of his work
that gets the most criticism: his minimization of lyrics. Young Thug’s
brilliance lies largely in his ability to show and NOT tell through abstract
expression by diminishing his lyrics to the point where they become effectively
gibberish. This decision creates a parallel to the development of extreme metal
where the intelligibility of lyricism was de-emphasized so that the focus of
the listener would be placed on the more immaterial communication of riffs and
atmosphere. Similarly, when confronted with Young Thug’s undecipherable
lexicon, the more cerebral elements of his work are pushed to the forefront of
the focus. In a genre so deeply rooted in lyrical competition amongst artists,
this is a bold creative choice.
With lyrics out of the way, the listener’s concentration can be
placed on the more important facets of Thug’s material: flow and melody. Young
Thug’s flow spontaneously soars above and into the crevices of the production
like puzzle pieces being fashioned and then fitted into place. The versatile
nature and malleability of Thug’s voice conjures some impressive and engaging
melodies that almost behave like guitar riffs in that they carve out the
landscape of the song while developing and contorting in very exciting ways.
This effect is created by way of rapping, singing, and quirky vocalizations
that transform his voice into a lead instrument that is capable of much more
than a vehicle for lyricism.
Unfortunately, Young Thug’s debut album Beautiful Thugger
Girls was disappointing because it presented a more “toned down” Young
Thug with more cookie cutter mainstream rap conventions. It has good moments,
but is mostly weak. Young Thug’s music is at its best when no one else is
featured on the track, because it allows Thug to flow seamlessly without any
awkward interruptions. His best work is the 2015 mixtape Slime
Season which is a great starting point for anyone interested in
delving into his music.
Young Thug is a true testament to the expanse of rap music into
more artistic and outlandish realms, and is the only rapper that I can always
listen to without getting bored. His aesthetic may be distracting or cringe-worthy
at first, but if you really give it a genuine chance and push everything you
know about rap conventions to the back of your mind, it is bound to click.